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Cheers to our friend Dan Kusunoki, who is profiled this week in the blog Los Angeles, I'm Yours. Dan's works at Skylight Books in Los Angeles, where he curates an awesome graphic novel section. He's a bookseller who really knows and loves comics, and his story benefits heartily from it. If you're in L.A., you'll want to check it out. In the meantime, read up on Dan's work at the link.
“You cannot create experience. You must undergo it.”
The College Comic Final -- Sailor Twain   Sailor Twain by Mark Siegel was the final book assigned for my college course on comics. In a class heavy on superhero origins, I thought a modern graphic novel would be a good add to the mix—plus it was a top book of 2013. Sailor Twain is a love story…no, wait, it’s a mystery, or a tale of the occult, possibly a history lesson—a theme-heavy tome that can even be described as a noir fairy tale—talk about postmodern.
As some may know, 2012 was the first time I attended Otakon. It was a fantastic, magical time for me and a wonderful adventure. The true test was the second visit. Was Otakon really as amazing as it seemed to a newbie last year? Would the con be as memorable the second time around? Would I find the same quality of panels and events? Yes! On August 9-11, 2013, I returned to the Baltimore Convention Center and entered into the wonderful worlds of anime and pop-culture fandom that is Otakon.
This summer, Columbia librarian Karen Green has been teaching an interesting class: Comic Books and Graphic Novels as Literature, meeting twice a week for six weeks. It’s a recognition of the literary value of the format, and an expert like Green is the perfect teacher for it. We talked with her to get an inside look at the class, which includes some first-rate required reading (like Derf Backderf’s My Friend Dahmer; Gabrielle Bell’s The Voyeurs; Will Eisner’s A Contract with God; Peter Kuper’s Sticks and Stones; Scott McCloud’s Understanding Comics; Frank Miller’s The Dark Knight Returns; Alan Moore and Dave Gibbons’ Watchmen; Art Spiegelman’s Maus; and Chris Ware’s Jimmy Corrigan, The Smartest Kid on Earth).
There's a new site devoted not only to comics, but also to the people who read them and want to raise kids who read them. It's a fun place to visit called GeeksRaisingGeeks.com, and they've just unveiled a listing I think you'll like. The 15 Best Sci-Fi/Fantasy Graphic Novels list covers books for family reading, meaning adults and kids can enjoy them together.
The artwork for the upcoming New York Comic Con (October 10-13) was unveiled today, and it's a beauty (albeit a beauty that takes some liberties with New York City geography --- but that's nothing to quibble over, especially when the poster is clearly a reverent tribute to the city). French artist Stephen Roux created the art. Nicely done.
Ah, Comic-Con. What magic you wield.
The Most Challenged Comics Alan Moore is the undisputed “Leader of the Banned,” as Charles Brownstein, executive director of the Comic Book Legal Defense Fund (they're a great organization; please support them!), noted at his San Diego Comic-Con panel “CBLDF: Banned Comics!” It seems virtually anything Moore has ever written gets challenged in libraries across the country for some reason. Brownstein went on to name some of the other comics most challenged in the past decade or so. Some of the names on the list may surprise you --- including this little tidbit: One of the books on this list was the second most challenged book of 2011 (not just the second most challenged comic; the second most challenged book). Can you guess which one?
The winners of the 2013 Will Eisner Comic Industry Awards were announced at a gala ceremony held during Comic-Con International: San Diego, at the Hilton San Diego Bayfront, on Friday, July 19.